Now seems as good a time as ever to cover more of Burn’s work, especially because this book is dedicated to Mermaids.
Here is the dedication to Mermaids 👇. controversial
Mermaids is a charity which promotes the idea children can be born in the wrong body and need to be prevented from going through a natural puberty / prepared for a life of surgeries. Older (trans-identified) men are especially keen to promote “transgender” children because it desexualises the motives that direct many older male “transsexuals” It is also feeds a fantasy of “passing” better as the sex they wish they were; a kind of retrospective wish fulfilment.
The foreword is written by Dr Aaron Devor who is a Canadian “trans” activist who occupies the worlds first Chair of Transgender Studies at the University of Victoria in British Columbia. The post was funded by a donation of $1 million from the Tawani Foundation run by a trans-identified male called “Jennifer” Pritzker. You can read more about Pritzker here:
The book opens with a glossary to educate the readers in the “new speak” of “transgender” ideology, and makes it clear the definition of “trans” includes cross-dressers. Burns explains cross-dressers in this clip 👇 but omits the way the man obtains his “relaxation” and “pleasure”; which is by masturbating while wearing clothing associated with the female sex. The goal is to distance themselves from any link to transvestic fetishism. Women can’t be allowed to know that some of the men, now claiming access to spaces, formerly reserved for women and girls, do so because they are sexually motivated.
Burns opens the book by celebrating the way in which this rampant mysogyny has taken hold, in the preceding decades. One notable example is the celebration of Caitlin (Bruce) Jenner as woman of the year. Burns can’t quite repress his 1950’s version of sexism here and describes Caitlin as “head of the Kardashian family”.
At the other end of the age range Burns includes Jazz Jennings. Jenning was first sponsored by a pharmaceutical company and progressed to a TV series documenting his life from puberty blockers, followed by cross sex hormones, castration and ,finally, penis inversion. Jennings, sadly, appears to have lost any ability to achieve orgasm, infamously asking if an orgasm was “like a sneeze”? The penis growth was so stunted, by the pubertal suppression, he needed multiple surgeries to create a faux vagina using experimental techniques. Jazz is one of the victims of this ideology but, to Burns, he is to be paraded as a celebrity. Burns nails it with the acknowledgment of the role of “corporates” in peddling this ideology to minors. Jazz is a brand ambassador but he will soon be cast aside because his sexual dysfunction and massive weight gain are not quite the image the Gender Industrial Complex had in mind.
Burns takes us on a whistle stop tour of “trans” celebrities, almost all of them male, before moving onto “transgender” people in politics (again most of them male). First we learn about Georgina Beyer who became an MP In New Zealand having first been a prostituted male and drag queen. You can watch an interview with Beyer here at the Cambridge Union. Beyer talks of his role in passing legislation to decriminalise male sex buyers and mentions, in passing, his invitation to the U.K. House of Lords by Michael Cashman. He also references the opposition to the Gender Recognition Act reforms by British radical feminists. Beyer finishes by boasting about being included in the celebrations for the anniversary of women’s suffrage in New Zealand. He is delighted he has been accepted “as a woman” but, bizarrely, adds that we should be grateful for the men that voted for female suffrage.
All this visibility, Burns argues, led to an inevitable backlash. Burns attributes this to the right wing and fundamental Christians. It remains to be seen whether Burns acknowledges the opposition from left wing feminists and the homosexual community.
Without a trace of irony he argues that the focus on “bathroom” bills is designed to bar “trans” people from public life, nicely ignoring the urinary leash women operated under prior to the provision of female only facilities.
In fact we know that making female facilities mixed sex increases the risk of sexual assault but Chris doesn’t care about anything else but his own validation as something he is not.
In the next section Burns details the increased visibility of “trans” people in the U.K. He begins with reference to a 2010 serialisation of a “transition” journey by Juliet Jacques.
Jacques publicly admits that his cross dressing started at 10 and had a sexual element to it in this talk.
Trans media watch: Jane Fae
Burns then covers the organisation Trans Media Watch which worked hard to increase transgender visibility a kid of product placement, if you will.
Here is the press release put out by Channel 4 at the time.
One of the trustees for Trans Media Watch is a man called Jane Fae. A late transitioning male who is a defender of extreme porn.
Fae also defends BDSM and “consensual slavery” . This is from an article he wrote for the Guardian in 2011.
He also began as a cross-dresser:
I see this Trans Media Watch as a men’s sexual rights organisation intended to carefully curate their image, in effect to sanitise their “gender identity” to make it more palatable to the general public. This allows the public parading of a fetish and simultaneously forcing women to participate; which gives an added frisson to the undercover brothers.
Next up Burns references another trans activist: Fox Fisher.
Fox Fisher is a trans-identified female who first came to prominence in the above documentary and is now in a heterosexual relationship with a trans-identified male. The male in question is Ugly Stefania who you may be familiar with. Ugly is a trans-activist who wrote the foreward to the infamous Denton’s document. The Denton’s document is a must read if you want to see how trans-activism strategised how to socially engineer society to bow to their demands. I cover it here : 👇
Ten years on from that documentary Fox has the tell tale voice of a woman on testosterone is post double mastectomy and is, as I write, recovering from Metoidioplasty: a surgery to create the approximation of a penis. Even before Fox went under the knife he didn’t rule out a future phallioplasty if the operation didn’t bring enough “euphoria” down below.
Fox is charge of Brighton Pride despite being in a heterosexual relationship and despite this comment made at a Mermaids summer camp.
Fox Fisher has frequently been platformed by Childline which is run by the N.S.P.C.C (National Society for the Prevention of Cruelty to Children). The N.S.P.C.C is the only charity which has statutory powers to remove children from their parents. Childline relentlessly push transgender content at your kids. I covered this here:
Next up is Paris Lees. Another trans-identified male given prominence over the last decade. Lees was formerly incarcerated for a robbery that, eventually, resulted in a man’s death. He also has a background as a prostituted male.
Here is Paris talking about his background as a male prostitute and robbing a client.
Here are a few more contributions from Paris Lees.
Here is Paris defending the charity Mermaids which I include because the Charity Commission are about to investigate the Charity.
Frank /Kellie Maloney
Next up we celebrate the boxing promoter who came out as “Kellie”.
Here’s “Kellie” talking about the time he tried to strangle his wife.
Here Tracy talks about their marriage. Frank had been keeping a secret flat and he only revealed his secret life, as a cross-dresser when the press threatened to expose him.
He tried to blame his wife for the many rows.
When he initiated divorce proceedings he allowed people to think it was his wife who had abandoned him.
These are the brand ambassadors selected by Burns. In the next I will have a look at the Soap stars used to promote gender identity ideology and “trans” identified people who have attempted to gain political office in the U.K.
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